袁梓宸鋼琴獨奏音樂會在中央民族樂團成功舉辦
轉(zhuǎn)眼間，秋色已濃，在這收獲的季節(jié)，繼北京音樂廳鋼琴獨奏音樂會之后，11歲的袁梓宸在環(huán)境優(yōu)美、格調(diào)高雅的中央民族樂團音樂廳又迎來一場個人音樂會。
袁梓宸鋼琴獨奏音樂會
整場音樂會分為三個篇章，共18首作品，將古典音樂作品和當(dāng)代流行元素完美的結(jié)合。既有歡快愉悅的炫技作品，又有充滿時代氣息的流行經(jīng)典曲目，還有活潑靈動、童心滿溢的四手連彈演奏。
袁梓宸鋼琴獨奏音樂會
第一部分是古典音樂作品，袁梓宸以一首《奏鳴曲》—貝多芬第三樂章回旋曲開篇。他用嚴(yán)謹(jǐn)?shù)膹椬嗪蛬故斓募记桑瑥娜莸难葑嘀@首達到了貝多芬早期鋼琴奏鳴曲之頂峰的杰作，這是一首因其戲劇性的優(yōu)美旋律而為世人所熟悉的作品。音符隨著他流動且輕盈的演奏拉開了本場音樂會的序幕。接下來的幾首作品都是選自The Art of Finger Dexterity Op.740，眾所周知車爾尼740鋼琴練習(xí)曲是極為重要的技術(shù)練習(xí)，總體上偏重于技巧的訓(xùn)練，既有基本技術(shù)的練習(xí)(如音階、琶音、和弦等)，又有各種專門技術(shù)的訓(xùn)練(如八度、雙音、震音、顫音等)，袁梓宸在學(xué)習(xí)中針對每一條的學(xué)習(xí)重點，運用科學(xué)、合理的練習(xí)方法，提高練習(xí)效率，在以前學(xué)習(xí)的基礎(chǔ)上進一步訓(xùn)練手指、手腕、手臂之間的協(xié)調(diào)配合動作，逐步掌握各種專門技術(shù)，加強手指的靈活性。為了本次音樂會能呈現(xiàn)出更好的演奏效果，每日苦練基本功。
袁梓宸和楊景舒一起演奏的四手連彈作品《在晴朗的日子》
袁梓宸（右）和楊景舒（左）一起演奏的四手連彈作品《在晴朗的日子》
第二部分是袁梓宸和楊景舒一起演奏的四手連彈作品《在晴朗的日子》、《人生的旋轉(zhuǎn)木馬》、《世界的約定》和《無論何時，無論幾次》等久石讓經(jīng)典作品。兩位小朋友配合默契，用指尖在黑白鍵上一唱一和，將久石讓精致細膩、唯美浪漫的音樂演繹的淋漓盡致，用熟悉的旋律將現(xiàn)場觀眾代入了宮崎駿經(jīng)典動畫作品，觀眾仿佛和善良的動畫片中的蘇菲一起在陡峭的崇山和一望無際敞開的天際之下譜寫一段感人的戰(zhàn)地戀曲，和勇敢的琪琪一起伴隨著白鷗在碧藍的海洋和綠色的城鎮(zhèn)上空無拘無束的飛翔，和不屈的千尋一起學(xué)會如何在善惡交錯的社會里積極探索一條入世的道路。
鋼琴伴奏 袁梓宸 朗誦 馮明磊
鋼琴伴奏 袁梓宸 朗誦 馮明磊
第三部分是大眾耳熟能詳?shù)默F(xiàn)代作品，既有像《蕉葉微風(fēng)》、《青空》等流暢舒緩的純鋼琴曲，也有像《最后的爵士》、《CINEMA》、《如愿》、《萱草花》、《夜的鋼琴曲》等影視經(jīng)典配樂和主題曲，他用充滿歌唱性的音樂線條、飽滿的情感為觀眾帶來了一場聽覺盛宴，每一首都貼近心聲，用琴聲詮釋著彈奏者內(nèi)心的波瀾起伏和心路歷程，讓觀眾在充滿著詩一般的琴聲中久久不愿散去。
馮明磊、袁梓宸、楊景舒與鋼琴指導(dǎo)老師戰(zhàn)華娜老師合影
音樂會結(jié)束，袁梓宸感到十分的榮幸和感恩，能夠兩次登上夢寐以求的閃亮舞臺，能夠在兩個月的時間內(nèi)連續(xù)舉辦兩場獨奏音樂會，既要感謝自己對音樂的熱愛和不懈努力，更要感謝戰(zhàn)華娜老師的認(rèn)真指導(dǎo)和悉心培養(yǎng)。是戰(zhàn)老師一次次的鼓勵讓袁梓宸克服了畏難情緒并發(fā)自內(nèi)心的愛上了音樂，領(lǐng)略了音樂的魅力。
袁梓宸與他的鋼琴導(dǎo)師戰(zhàn)華娜老師
正如戰(zhàn)華娜老師所言，每一場音樂會，都是孩子夢想的開始，是對自己學(xué)琴成果的總結(jié)和匯報，音樂的學(xué)習(xí)道路異常艱辛，唯有堅持才有機會觸及夢想。悠揚的琴聲記錄下了他和戰(zhàn)老師一起努力的時光，也讓他明白了堅持的意義。
這一晚，在中央民族樂團音樂廳的舞臺展示了他和戰(zhàn)老師階段性的教學(xué)成果，相信未來，他同樣會以更自信的姿態(tài)站在更大的舞臺上，去實現(xiàn)他的音樂夢想。
In the blink of an eye, the autumn colors have become thick, in this harvest season, following the piano solo concert in the Beijing Concert Hall, 11-year-old Yuan Zichen ushered in another solo concert in the Concert Hall of the Central Chinese Orchestra with beautiful environment and elegant style.
The concert was comprised of three chapters and a total of 18 works, combiningical music works and contemporary pop elements. Besides cheerful showmanship works, popics full of the atmosphere of the times, there were also lively and flexible, childlike four-hand playing.
The first part was aical music work, and Yuan Zichen began with a Sonata, Beethoven’s third movement of the melody. With rigor and skill, he calmly played this masterpiece that reached the peak of Beethoven’s early piano sonatas, a work that is well known to the world for its dramatic and beautiful melody. The notes kicked off the concert with his fluid and graceful performance. The next few works are selected from The Art of Finger Dexterity Op.740, as we all know that Cherny 740 piano etudes are extremely important technical exercises, generally focusing on the training of skills, not only basic technical exercises (such as scales, arpeggios, chords, etc.), but also a variety of specialized technical training (such as octaves, diphthongs, tremolos, vibrato, etc.). Yuan Zichen adopts scientific and appropriate practice methods to improve practice efficiency. On the basis of the previous learning, he further enhances the coordination between the fingers, wrists and arms, and gradually masters various specialized techniques to strengthen the flexibility of the fingers. In order to present a satisfying performance in this concert, he practices very hard on the basic skills every day.
The second part was a four-handed playing work played by Yuan Zichen and Yang Jingshu,. They played theic masterpieces of Hisaishi such as “On a Sunny Day”, “The Carousel of Life”, “The Convention of the World”, and “No Matter When, No Matter How Many Times”. The two children cooperated with tacit understanding, dancing on the black and white keys with their fingertips, fully interpreting Hisaishi’s exquisite, delicate, and romantic music and brought the audience into Miyazaki’sic animation works again. The audience seemed to compose a touching war field love song with the kind Sophie among the steep mountains and under the endless sky, fly freely with the brave Kiki accompanied the white gulls over the blue ocean and the green town and explore a path to the world in a society where good and evil intersect along with the indomitable Chihiro.
The third part was a modern work that the public is familiar with. Other than the smooth and soothing pure piano songs such as “Banana Leaf Breeze” and “Blue Sky”, he also played those film and televisionic soundtracks and theme songs such as “The Last Jazz”, “CINEMA”, “Wishing”, “Grass Flower”, “Piano Song of the Night”, etc. He has brought an auditory feast to the audience with singing musical lines and full of emotions, each piece is close to the heart, and the piano sound interprets the inner ups and downs and mental journeys of the player‘s that let the audience be reluctant to leave the hall for a long time in the sound of the piano full of poetry.
At the end of the concert, Yuan Zichen felt very honored and grateful to be able to board the dreamed shining stage twice, and to be able to hold two consecutive solo concerts in two months, not only to thank himself for his love and persistent efforts for music, but also to thank Teacher Zhan Huana for her careful guidance and whole-hearted cultivation. It was Teacher Zhan’s constant encouragements that made Yuan Zichen overcome his fear of difficulties and fall in love with music from the bottom of his heart, and appreciate the charm of music.
As Teacher Zhan said, every concert is the beginning of a child’s dream, a summary and report on the learning results. The learning path of music is extremely difficult, and only way to realize the dream is perseverance. The melodious sound of the piano recorded the hard time he and Teacher Zhan worked together, and also made him understand the meaning of persistence.
This night, he and his teachers have presented their phased teaching achievements on the stage of the Central Chinese Orchestra Concert Hall, and it is believed that in the future, he will stand on a larger stage with a more confidence to realize his musical dreams.
